I like to think of the individual words, then you put the word in the sentence, then you have to think about what that word means in the sentence, then you have to read the sentence in the paragraph - you're sort of building up like that; that's my philosophy.

Trying to take a feeling from one language, and express it in another is naturally that's my goal. You can't possibly achieve that in a perfect way because there's so many things you have to take into consideration. You know, think about every word, every sentence, every paragraph, and do what you can.

I have very strict rules in my head that seem to me to be the way things should sound.

I think that being an editor, someone who works with words, is very good training for being a translator because it trains you to be attentive to words in a very specific, very concrete, very literal way.

I always hesitate to say that something is lifelike.

One naturally identifies to some extent with an "I" female narrator going through something that you recognize whether you've gone through it or not.

I tend to be kind of literal about translation. I think it's important to present the writer as closely as possible.