I think some people just don't know that much about comedy. It would be like a person who didn't know anything about football thinking all offensive linemen are the same.

Charlie Sheen called his boss on 'Two and a Half Men' a 'Jew ki**' and expected to go back to work. That’s crazy. If you could do that and keep your job, then everybody would do it.

About a year after I moved to Los Angeles, I decided I wanted to be a joke writer for a late night talk show. So I met with a late night joke writer and he told me that I should start by doing stand-up comedy, because that would really hone my sense of humor and joke writing ability. Eventually I took a stand-up class and a few months later I had a seven-minute act.

It was important to me to be cool as a comedian. I didn't want to be a crowd-pleaser who sent out the vibe of, "I need you guys." I wanted to be so cool that the audience could leave and I would still be killing, that I didn't want to have to rely on them or need them. That really appealed to me.

Every night, my girlfriend comes home from work, and she brings with her a houseplant. She's like, 'Anthony, I had to pick this up. We need a houseplant in our apartment.' And every night, I make her return it. I say, 'No way, baby. You can't take care of a houseplant. You couldn't even keep your baby alive.'

I don't get back as much as I'd like to, so I don't have a lot of close ties [Pittsburgh], but I'll bleed black and gold until I die.

Usually the beginning of a story that people hear a lot. For example, "My girlfriend is upset about her new haircut" or "My dad keeps losing his car keys." And then I just think of different ways the story could end. "My girlfriend is upset about her new haircut. I don't understand why she's crying. I'm the one who has to get a new girlfriend." Then I try it out on stage. I don't do a lot of re-writing. My jokes either work or they don't. The trick is just to write a ton of jokes.