[In] death at least there would be one profit; it would no longer be necessary to eat, to drink, to pay taxes, or to [offend] others; and as a man lies in his grave not one year, but hundreds and thousands of years, the profit was enormous. The life of man was, in short, a loss, and only his death a profit.

He who desires nothing, hopes for nothing, and is afraid of nothing, cannot be an artist.

What a fine weather today! Can’t choose whether to drink tea or to hang myself.

People's destinies are so different. Some people drag along, unnoticed and boring—they're all alike, and they're all unhappy. Then there are others, like for instance you—you're one in a million. You're happy—

A litterateur is not a confectioner, not a dealer in cosmetics, not an entertainer. . . . He is just like an ordinary reporter. What would you say if a newspaper reporter, because of his fastidiousness or from a wish to give pleasure to his readers, were to describe only honest mayors, high-minded ladies, and virtuous railroad contractors.

The thirst for powerful sensations takes the upper hand both over fear and over compassion for the grief of others.

Cross out as many adjectives and adverbs as you can. ... It is comprehensible when I write: "The man sat on the grass," because it is clear and does not detain one's attention. On the other hand, it is difficult to figure out and hard on the brain if I write: "The tall, narrow-chested man of medium height and with a red beard sat down on the green grass that had already been trampled down by the pedestrians, sat down silently, looking around timidly and fearfully." The brain can't grasp all that at once, and art must be grasped at once, instantaneously.