Actually they [ Netflix] were telling us to push it further and I've never gotten a nod like that from anybody in the industry, so it's been awesome to work with them. I'm very happy where we're at.

Stand up comedy is this thing you get to do, so you have to treat it with respect. You can't just be like, 'Alright, I got my hour down, people are coming to see me now. Now, I'm going to lean on the mike stand.' No, you gotta work even harder now. You got to top what you already did. Because they'll find someone else.

You're not chasing syndication any more. It used to be a big thing. "Let's make 100 episodes and we'll get paid for life". You know? And what does the sheer amount of content that's being made do to syndication after a while? It just seems like there's more content than there is hours for everyone to watch it. But it's some of the best content that's ever been created.

I do enjoy them. I get to meet the next generation of comics and help them out. Big comics doing small shows was something that used to happen a lot more back in the day. I wish there was more of that.

I heard a quote once in a documentary about a band that said you're better off owning everything 100 percent and selling 20,000 copies of an album than signing with a record company and selling a million copies. There has never been a truer statement about show business than that.

I liked Jimmy Snuka, Tony Garea, Larry Zbyszko, Bob Backlund, Bruno Sammartino, Chief Strongbow, SD Jones (even though they never let him win), Captain Lou, Ted DiBiase...Uh...I'm forgetting some people...Greg Valentine. Chris Rock and Ric Flair are the best. Ric Flair is the king.

I mean, stand up you're by yourself and it's live and when you're acting, unless you're doing a monologue, you're interacting with somebody else. Even if you're doing a monologue you're saying it to somebody and it's not live so you can do it a few times.