You don't have to have all this film stock, you can work faster, and you don't need a giant crew. It's great.

I went to Second City, where you learned to make the other actor look good so you looked good and National Lampoon, where you had to create everything out of nothing, and SNL, where you couldn't make any mistakes, and you learned what collaboration was.

Parties are only bad when a fight breaks out, when men fight over women or vice versa. Someone takes a fall, an ambulance comes, and the police arrive. If you can avoid those things, pretty much all behaviour is acceptable.

But I can only take so much TV, because there is so much advice. I find people will preach about virtually anything - your diet, how to live your life, how to improve your golf. The lot. I have always had a thing against the Mister Know-It-Alls.

I knew that's where I was going. I knew we were going to Italy. You couldn't make this movie in America at this price. I knew it was going to be big. I knew there was going to be a ship involved and that there was going to be a set as big as the ship. I thought, well, here we go. But I knew that was where he was headed. He had been going this way for some time. All directors, once they have some success, they want to spend a whole heck of a lot of money. (Something else can't hear.)

I don't have to take this abuse from you -- I have hundreds of people waiting in line to abuse me!

I lost my phone and I just really didn't look for it. It was the nicest feeling, like six weeks. ... A couple of times I needed to use a telephone, and I was always able to touch someone that had a telephone and say, "Hey, can I use your phone? May I please?" And they'd say, "Sure." And that was it! So it was OK, it was a real vacation. I took a real vacation from myself.