There's more to this world than just people, you know.

Each kind of story has its own problems in writing, but my main concern really is to keep the reader on his toes, or to keep the strip unpredictable. I try to achieve some sort of balance between the two that keeps the reader wondering what's going to happen next and be surprised.

Calvin: Look, a dead bird! Hobbes: It must've hit a window. Calvin: Isn't it beautiful? It's so delicate. Sighhh... once it's too late, you appreciate what a miracle life is. You realize that nature is ruthless and our existence is very fragile, temporary, and precious. But to go on with your daily affairs, you can't really think about that... which is probably why everyone takes the world for granted and why we act so thoughtlessly. It's very confusing. I suppose it will all make sense when we grow up. Hobbes: No doubt.

Form follows function, as the architects say. With words and pictures, you can do just about anything.

We consume everything like potato chips. In this environment, I suspect the cartoonist's connection with readers is likely to be superficial and fleeting, unless he taps into some fervent special interest niche. And that audience, almost by definition, will be tiny.

Calvin: Why are you crying mom? Mom: I'm cutting up an onion. Calvin: It must be hard to cook if you anthrpomorphisize your vegetables.

Rainy days should be spent at home with a cup of tea and a good book.