There are no restrictions of taste, approach, or subject matter. The gatekeepers are gone, so the prospect for new and different voices is exciting. Or at least it will be if anyone reads them. And it will be even more exciting if anyone pays for them. It's hard to charge admission without a gate.

Talking with you is sort of the conversational equivalent of an out of body experience.

The purpose of writing is to inflate weak ideas, obscure pure reasoning, and inhibit clarity. With a little practice, writing can be an intimidating and impenetrable fog!

Blustery cold days should be spend propped up in bed with a mug of hot chocolate and a pile of comic books.

If you give a little credit to the concept of the artist, I think you ought to indulge excesses a bit, because that reflects the personality of the writer. Now if a joke is in bad taste or it's not funny, okay, that's awhole different thing, but how you craft a joke is really what the writer's job is, and I don't think that technique should be subject to any editorial constraints.

I'd always enjoyed the comics more, and felt that as long as I was unemployed it would be a good chance to pursue that and see what response I could get from asyndicate, as I didn't have anything to lose at that point. So I drew up a comic strip - this was in 1980 - and sent it off and got rejected. I continued that for five years with different comic strip examples 'til finally Calvin and Hobbes came together. But it's been a long road.

I must follow the inscrutable exhortations of my soul.