Growing up as a comedian, the first thing you dream of is having your own album, but even more than that, I always wanted that hour special on cable.

My abject hatred of actors and the acting world. I went to college as an actor, and halfway through, I switched to playwriting and directing. Then I spent a couple years working in publishing, doing some freelance journalism for The Village Voice and Musician magazine. I thought my life was going to be as a writer, but then I realized I missed performing, so I got into comedy. It was a nice combination of things I was sort of good at. I was a pretty good writer and a decent actor, but I didn't really like acting, and I didn't have the discipline to be a writer.

I'd like to think I'm a little more memorable or specific now. People laugh at me in a way they wouldn't laugh at another comedian, rather than being like, "Okay, who's the next joke-slinger? Give me some jokes so I may laugh and go about my day!"

There's something so awesome about being able to get up in front of a microphone and do exactly what you want. Stand-up is as close as you're ever going to get to being 100 percent in control of a situation artistically, and I don't understand why people wouldn't want to keep doing that.

If you purchased the latest Joss Stone CD, what you're saying is that you're an employee of VH1.

Growing up as a comedian, the first thing you dream of is having your own album, but even more than that, I always wanted that hour special on cable.

I've always prided myself on being able to perform in the "alt-comedy" zone, but also being able to do comedy for people who aren't media-saturated, and maybe don't have the latest Dan Deacon album. I probably won't be the most popular guy at Zanies in Nashville, and I'll never be the coolest dude at Largo, but I like that I can swim in both those waters.