But now isn’t simply now. Now is also a cold reminder: one whole day later than yesterday, one year later than last year. Every now is labeled with its date, rendering all past nows obsolete, until — later of sooner — perhaps — no, not perhaps — quite certainly: it will come.

It seems to me that the real clue to your sexual orientation lies in your romantic feelings rather than your sexual feelings. If you are really gay, you are able to fall in love with a man, not just enjoy sex with him.

Horror is always aware of its cause; terror never is. That is precisely what makes terror terrifying.

The sea only drowns its lovers.

Waking up begins with saying am and now. That which has awoken then lies for a while staring up at the ceiling and down into itself until it has recognized I, and therefrom deduced I am, I am now. Here comes next, and is at least negatively reassuring; because here, this morning, is where it has expected to find itself: what’s called at home.

I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed.

If it’s going to be a world with no time for sentiment, it’s not a world that I want to live in.