Let's say Twitter existed during the Civil War. We would have a better understanding of people in the Confederacy who were against slavery, people in the North who actually felt we should just let the South be the South. Because the way it is now, it seems like we have this portrait where everybody in Georgia hated Yankees and everybody in the North was enlightened. That wouldn't seem as clear cut as it does now.

When given the choice, we’d all rather be happy now … even if that guarantees we’ll all be sad later.

In New York, people are unhappy on purpose, because unhappiness makes them seem more complex; in Washington DC it just sort of works out that way.

People who are wrong during particularly important moments inevitably spend the rest of their lives trying to explain how their wrongness was paradoxically correct, or-at the very least-why their wrongness "felt right at the time," which is very, very different from being authentically correct.

The people who review my books, generally, are kind of youngish culture writers who aspire to write books. When someone writes a book review, they obviously already self-identify as a writer. I mean, they are. They're writers, they're critics, and they're writing about a book about a writer who's a critic. So I think it's really hard for people to distance themselves from what they're criticizing.

I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and trying to rewrite it.

Science fiction tends to be philosophy for stupid people.