Always hedge your bets. That's how I do it. I lay all my bets on what I can contribute, and suffer no illusions that I'm generating stuff by myself.

What's important is passion, investment, and people laughing out loud as they work.

I don't really have a lot of appropriate feelings for people on an individual basis, but I've always wanted to make people happy.

With media, it's never bad-to-good. It's always just moving from different to different. Faster, more stuff, but there's always good, more good, and more bad.

Everything I do, in the middle of it, I lose all objectivity. The business of comedy is kind of ridiculous in that respect. Your job is to have a lot of fun in a jar, then sell it. There's something inherently illogical and impossible about that, but that being said, this is as good as it gets.

Television is a populous, derivative, democratic medium.

There's the same percentage of genius happening in both genders, but there's less women writing scripts and out there looking for the job.