I guess I've played a lot of failures, which is a Huston quality, I guess. I love losers, though, and have never met anyone who hasn't been one sometime. I'm always looking to understand them, and my father had an extremely keen eye to be able to dissect and bring that forward in the way he told his stories.

I guess I've played a lot of failures, which is a Huston quality, I guess. I love losers, though, and have never met anyone who hasn't been one sometime. I'm always looking to understand them, and my father had an extremely keen eye to be able to dissect and bring that forward in the way he told his stories.

At times, there are misunderstandings [during shooting]. Especially with green screen and not really knowing what it is that you're looking at, you really depend on the director to create that world for you.

Also, in my acting, I feel very much like a storyteller, exploring the flaws of the characters that I interpret. I look for the imperfections, and I love a character that is just so flawed.

I resisted the film business as long as I could, because of the big circus act and the amount of money that it costs to make films - I saw my father suffer through that.

Sometimes film is just the family business. Some families are generations of carpenters or farmers, or they make clothes, or they're all lawyers. I'm in the family business.

There's a point where art is not subjective, and my example for that is Picasso. If you don't like Picasso, that's your problem.