I guess I've played a lot of failures, which is a Huston quality, I guess. I love losers, though, and have never met anyone who hasn't been one sometime. I'm always looking to understand them, and my father had an extremely keen eye to be able to dissect and bring that forward in the way he told his stories.

I guess I've played a lot of failures, which is a Huston quality, I guess. I love losers, though, and have never met anyone who hasn't been one sometime. I'm always looking to understand them, and my father had an extremely keen eye to be able to dissect and bring that forward in the way he told his stories.

I love playing bad. But my whole thing is usually villains that don't know that they're evil.

There's a point where art is not subjective, and my example for that is Picasso. If you don't like Picasso, that's your problem.

Usually when you're working on fight scenes, you don't really feel what's going on physically. It's more when you go back home and you're like, "My god!," and you wear the wounds or bruises with a certain amount of pride.

I seem to play a lot of losers.

Sometimes film is just the family business. Some families are generations of carpenters or farmers, or they make clothes, or they're all lawyers. I'm in the family business.