My theory is that there is a finite amount of intelligence in a family, and you're supposed to gradually transfer it to your children over a period of many years. This is why your parents started to get so stupid just at the time in your life when you were getting really smart.

You should never say anything to a woman that even remotely suggests that you think she's pregnant unless you can see an actual baby emerging from her at that moment.

The Japanese tend to communicate via nuance and euphemism, often leaving important things unsaid; whereas Americans tend to think they're being subtle when they refrain from grabbing the listener by the shirt.

England manufactures most of the world's airline food, as well as all the food you ever ate in your junior-high-school cafeteria.

My point here, young couples, is that baby-having is extremely serious business, and you probably don't have the vaguest idea what you're doing, as is evidenced by the fact that you're reading a very sloppy and poorly researched book.

...when the armed robber of unhappiness knocks over the Keebler cookie display of our complacency, and bangs the samurai sword of negativity on the checkout counter of our dreams, we must not be afraid to hurl the fruit cocktail can of hope.

I really need to know where I'm going with fiction to write it in a way that at least I'm happy with. And I really think that a lot of fiction books end badly because terrific writers said, "I'll just figure it out" and plunge in, but have created so many problems that they are kind of impossible to solve. I mean, I'm talking really good writers do this and you can tell when they got to the end they either had to do something preposterous or they just don't really resolve things. So for fiction I spend a lot more time outlining and for humor I really don't do much of it.