I never thought I would make a living as a pencil-sharpener. The first goal was: I don't want to lose money. And then the goal was: I want to see if 100 people buy my pencils. I just kept upping the benchmarks.

I had good relationships with stores. And I was like, "All right, I'll self-publish it. But I'm only going to do 1,000."

The things I'm grateful for are: I had the one thing that I feel really lucky about, which is that I made something, I made art, that truly - in a weird way - truly comforted me and comforted a lot of people. And I'm really grateful that I got to have that experience.

I don't even drink Coke. It tastes like robot sweat.

I never thought I would make a living as a pencil-sharpener. The first goal was: I don't want to lose money. And then the goal was: I want to see if 100 people buy my pencils. I just kept upping the benchmarks.

To me, if you're lucky enough to make stuff that people will pay money for, do a good job. Really do a good job. Especially if you're talking about real stuff, like terror atrocities and human rights abuses and pencil-sharpening techniques.

I was just worried that someone was gonna think that I had been commissioned by Jamba Juice to make cartoons about Jamba Juice. And the big thing for me was - if I'm not getting paid to sell out, I don't want people to think that I'm selling out.