Watching him was like opening the door to a siniging telegram; you know it's supposed to be entertaining, but you can't get beyond the sad fact that this person actually thinks he bringing some joy into your life. Somewhere he had a mother who sifted through a shoe box of mimeographed playbills, pouring herself another drink and wondering when her son would come to his senses and swallow some drain cleaner.

I wish that I had re-edited 'Theft By Finding' after I did the audio. Because the audio took 40 hours in the studio, and I was standing on my feet. So toward the end of it I'd be looking at certain diary entries and I would think, "Is this really worth my time to read this out loud?" And I would think, "No, it is not." I would have cut out 75 pages, just because I was tired of standing up.

I've always had a way with the little people, making it a point to humor them without looking down my nose at their wasted empty lives.

I would be writing and trying to write like Joan Didion. Or if I was reading Raymond Carver. You know, strong stylists. But that's how you find your voice, is imitating other people. So things like that didn't embarrass me, because I thought, well, that's how it goes. That's how everyone learns.

If I'm riding my bike I just replay the same scenarios over and over in my head, like I haven't had a new mental adventure since high school. So that's what I like about books on tape, so my mind can't wander anywhere.

Famous people like to choose friends who won't go around repeating their conversations and details about them.

I don't like to read anything on the radio for the very first time, because I don't have any notion of a reaction. When I read it out loud, then I get an idea of that, and more of an idea of how to read.