I don't really have a lot of fun playing just straight good guys. It's not my thing. It's like Tom Hanks territory.

I went to school with Steven Wright who was the shyest guy I knew, and one day someone suddenly told me that he was in a club doing standup comedy. I went down to his club and he was great. Another friend of mine, who was pretty much a thief by trade, was hosting the show. So I thought if these guys can do it then so can I.

Crisis doesn't create character; it reveals it.

Sometimes 'great acting' is just showing off - chewing up scenery and dialogue and other actors - the equivalent of a theatrical sugar rush.

I try and shoot as often as I can, I cross shoot. I have at least two cameras rolling at the same time. So I'll have two actors or two sets of actors at a time so everybody's basically on camera. So when they improvise we have everybody's coverage. And you can then go in the editing room and find the energy still stays there.

My career plan at this point is 'Ice Age 5' through '10,' and even '12,' and 'Spider Man' - you know, basically I'd be Emma Stone's dad for the rest of my career. I really don't have any problem doing that.

I think it's a shame when you come across young actors and musicians who haven't had the time to learn their craft. It doesn't matter if it's acting or music, you really have to learn how to do it from the bottom up because unless you have a great work ethic... fame is a terrible thing to have.