Thanks a heap coyote ugly. This cactus-gram stings worse than your abandonment.

Gas Attendant: "Thata ain't no etch-a-sketch. Thats one doodle that can't be un-did home skillet.

Personally, I consider 'Titanic' the most brilliant example of successful counterprogramming; the film actually countered itself by embedding an epic chick flick within a classic disaster movie.

For me, stripping was an unusual kind of escape. I had nothing to escape but privilege, but I claimed asylum anyway. At twenty-four, it was my last chance to reject something and become nothing. I wanted to terrify myself. Mission accomplished.

There's this double standard that exists and it really frustrates me. If a woman chooses to work, people say, "Oh it's so sad that you're not at home with your children." But no one ever says that to a man because it's assumed that the man is going to be the provider.

I think when you're writing prose there's a lot of attendant description and that's were I used to really go bananas. With a screenplay that all gets filled in by the director, so it just sort of pulls you back by virtue of the form. You also have to use more economy as a screenwriter and so it's kind of limiting in a good way.

If being an attractive woman got you attention for directing, then the entire best director category would be comprised of models. To me, that is just the most ludicrous connection that you could make.