Incidentally, the very, very first review that James Lavelle and I saw of Endtroducing was very negative! It was in The Wire, and the context of the review was that, you know, Mo'Wax was so far behind Ninja Tune. Heheheh. And people wonder why there was this sense of a feud between labels! We just kind of looked at each other and we were like, 'Oh, well, let the floodgates open!' But, not to be facile, that was literally the last bad review I ever saw for that album.

When I think about the stuff I turned down it's kind of insane.

To be honest, I didn't really get into making music to be an album artist.

If I have a chance to positively impact how the populace views DJs, then I'm going to try to do my part to nudge things in the right direction.

I think one of the things about ageing is the jagged peaks become a little bit mellower...? Heheh. And I feel like I'm able to understand a little bit better where that sort of tack comes from.

I'm trying to satirize what it's like to be a recording artist in 2011. I realize that standing on a soap box and ranting and raving about my opinions on the digital age and its effect on music is only going to get you so far.

It's satisfying to put out new music. And I think that's the context in which I'm comfortable revisiting things from the past.