He stood up straight and looked the world squarely in the fields and hills. To add weight to his words he stuck the rabbit bone in his hair. He spread his arm out wide. "I will go mad!" he annouced.

Beauty doesn't have to be about anything. What's a vase about? What's a sunset or a flower about? What, for that matter, is Mozart's Twenty-third Piano Concerto about?

I don't like the idea of missionaries. In fact, the whole business fills me with fear and alarm. I don't believe in God, or at least not in the one we've invented for ourselves in England to fulfill our peculiarly English needs, and certainly not in the ones they've invented in America who supply their servants with toupees, television stations and, most importantly, toll-free telephone numbers. I wish that people who did believe in such things would keep them to themselves and not export them to the developing world.

If the Universe came to an end every time there was some uncertainty about what had happened in it, it would never have got beyond the first picosecond. And many of course don't. It's like a human body, you see. A few cuts and bruises here and there don't hurt it. Not even major surgery if it's done properly. Paradoxes are just the scar tissue. Time and space heal themselves up around them and people simply remember a version of events which makes as much sense as they require it to make.

I wanted to be John Cleese. It took me some time to realise that the job was taken.

I find that writing is a constant battle with exactly the same problems you've always had.

Why' is the only question that bothers people enough to have an entire letter of the alphabet named after it. The alphabet does not go 'A B C D What? When? How?' but it does go 'V W X Why? Z.