Look at his face. I bet his cornflakes try to crawl out of the bowl.

You try various things when you're growing up. I was an attache in the Foreign Service for a while and then I drove a bulldozer, but neither of those panned out for me so it had to be stand-up.

I know there's similar dissatisfaction in America. There's a lot of white people who come from blue collar backgrounds and who feel ill-equipped and badly served by modern economics and the modern job market.

My drive to put myself on the line comes from boredom. From that feeling when you go to bed and think, 'What did I do today?' It doesn't have to be something monumental, just a feeling that you really tried to look at something, or look into something.

If you're a comic, you don't have a rehearsal room; you rehearse on stage. My main concern is remembering everything. I've written lots of material, but how do you memorise 90 minutes? That's one hell of a long speech. I've always had problems with that.

I write all the time, but you just want to be careful what you put out. That's all. You want to have the confidence that you've done what you need to do to it, because otherwise it's an exercise in vanity.

You can laugh at somebody because they are innocent, and because they are naive or they are about to walk into a wall, but if somebody's giving you stuff, if somebody's talking, giving you their take on things, what makes you laugh, generally speaking, is going to be somebody who is telling it in an angry way.