I think of myself as a theatre comic instead of club comic because I tend to talk for a bit before I start being funny. I don't really do the one-liners and five second bits or whatever. But it's good to work stuff out sometimes.

I love playing in America. I feel having been there a few times that I "get" America a lot more than I used to. It used to be so strange to me. It takes years to learn how to separate the actual, major, important differences from the superficial differences that aren't essential or crucial.

Look at his face. I bet his cornflakes try to crawl out of the bowl.

It probably says something really clinically terrible about my character that I need to get up on a stage and go 'Ra ra ra' in front of people.

I'm quite a compulsive person-I only worked this out recently - I'm compulsive, but I'm also very indecisive. I don't know what I want, but I know that I want it now.

Children are the most honest critics. They will say "You're funny", but also "You're pathetic - go away."

You have to assume that you're talking to the most intelligent, tuned-in audience you could ever get. That's the way you're going to get the best out of people. Whether they know you or not shouldn't matter for comedy. They should get to know you pretty quickly. and they should be having a good time pretty quickly.