It was an identity crisis. I was born and raised in France, but I never really felt French, so I needed to find something that I was more connected to. I used to go back to Tunisia every summer, but I was more into the language, my Arabic roots.

Art brings people back to their sensibility as human beings. This is the purpose of art: To bring people together and bring back the humanity as well.

You meet a lot of people [in Dubai] coming from a lot of different places. Even me, I'm always in transit. I don't stay anywhere too long. I like the energy that I found when I came here the first time. I start knowing people, and people start knowing me as well.

I'm trying to create artwork that makes people, and myself, think about judgment as a reflex. This is something that must be changed.

I've been working a lot with identity and roots, being part of your roots. I went into this topic where I was trying to break the stereotype of Arabic language. The non-translation work, this is where I make the switch, where you don't need to translate.

When actually, you have one identity made of different parts. Depending on where you are, at what time in your life, some things are higher or deeper. That's what I understood later: that I'm French and Tunisian, and I'm accepting the French part of my identity.

I've seen it personally that people have a natural sensibility to Arabic script. I don't know it if it's because of the shape, I don't know what it is in this script that makes it so universal. But even if you don't understand it, you still have this feeling; you can feel the piece of art in front of you.