True nostalgia is an ephemeral composition of disjointed memories.

The American way of stress is comparable to Freud's 'beloved symptom', his name for the cherished neurosis that a patient cultivates like the rarest of orchids and does not want to be cured of. Stress makes Americans feel busy, important, and in demand, and simultaneously deprived, ignored, and victimized. Stress makes them feel interesting and complex instead of boring and simple, and carries an assumption of sensitivity not unlike the Old World assumption that aristocrats were high-strung. In short, stress has become a status symbol.

Gradually my whole concept of time changed until I thought of a month as having twenty-five days of humanness and five others when I might just as well have been an animal in a steel trap.

I cherish the review-as-literature; as lapidary journalism in the eighteenth-century mode, the last hard sparkling diamond in theessayists's tarnished crown. To me, writing a good review is not just a way to make extra money, but a sacred duty.

My object is to live in a place that does not call itself 'the community with a heart.' I want one of those godforsaken towns where all the young people leave and the rest sit on the porch with a rifle across their knees.

Americans are so emotionally fragile that soon we will have to be carried around in plastic bubbles and fed with an eye-dropper.

The American woman's concept of marriage is a clearly etched picture of something uninflated on the floor. A sleeping-bag withoutair, a beanbag without beans, a padded bra without pads. To work on it, you start pumping--what the magazines call "breathing life into your marriage." Do enough of this and the marriage becomes a kind of Banquo's ghost, a quasi-living entity.