The problem with drugs is that most of the people that use the drugs, use it as a license to be an asshole.

The creation and destruction of harmonic and 'statistical' tensions is essential to the maintenance of compositional drama. Any composition (or improvisation) which remains consonant and 'regular' throughout is, for me, equivalent to watching a movie with only 'good guys' in it, or eating cottage cheese.

Find you a bridge and take a jump. Just make certain you do it right the first time, cause nothing's worse than a suicide chump.

The crux of the biscuit is: If it entertains you, fine. Enjoy it. If it doesn't, then blow it out your ass. I do it to amuse myself. If I like it, I release it. If somebody else likes it, that's a bonus.

I want a hairy little Jewish Princess with a brand new nose, who knows where it goes.

Give me the enchilada with the pickle sauce shoved up between the donkey's ass until he can't come anymore.

Jazz isn't dead. It just smells funny.