If you want a show to succeed, you're going to have to have a certain amount of people watch who are non-black and non-Latino. If you can't cross over, you don't belong on TV. That's not just me saying it. That's just the way it is.

I do everything one at a time, one day at a time. It's the only way I can do all what I want. I stopped watching [most of] the news and entertainment shows. I think it's helped me to stay a little clearer. Do I need to know what Kevin Federline is doing? And I don't sleep a lot. I'm always connected to [my work].

I think it's easier for African American and white comics to be praised than it is Latinos because they think our culture or our humor is substandard. I mean, I just don't think they want to give us credit. I just don't think that they see us as important enough to be at their level. I'm the longest-produced comedy at Warner Bros. and I don't feel special. They come over and say hello. But everybody's gonna make a lot of money and I don't feel like I'm special to them.

D.C. is a great place. The music, jazz, has always been great here, the restaurants have always been fantastic here. And there's been a lot of changes in this city over the last 30 years, and all for the better.

You know, you walk through this hotel, you're not going to see all white people; you're not going to see all black people; you're going to see what the world looks like. I promised myself that if I ever got an opportunity where I would be able to make a difference and have a say, that I would want to deliver [that] message [of inclusivity].

Shows should just be able to be shows without hyphenating their lead characters.

I'm a big fan of reality shows. I thought the first one, Dukes of Hazzard, captured white people perfectly.