With the television thing you have this lull of time where you're not with the character. And when you get those first pages, you're like, "Who is she again? Huh? Where did we leave off?" Then you show up at the read-through and all of the sudden the voice is there, and you realize that the character is still stewing in you all that time, even in the downtime.

Hopefully, I'll just get to be part of good films and work with good people, and that's how it will develop.

I began thinking I would do musical theater because in high school that was really the only sort of curriculum they had as far as getting onstage and doing anything that anybody would see. So that's what I did.

I'm pretty low-maintenance, but I like my time to myself, and once you have a child, you have to fight for it. I remember the first long bath I took [after Ptolemy's birth] was such a moment. Because a lot of the time you're in the shower, and if that baby cries, you've got to turn off the water and go!

I focused on where she was from of course, her voice and her history, her relationship with God - her religion. This was probably the strongest relationship she has had, really. She never seemed to maintain close relationships with husbands.

The process with the play, obviously, it belongs to you by the time you're stepping on stage in front of that audience for the first time. You can change it by just a look or things you're not even conscious of, but it's such a full immersion.

The first people that have the information are the hair and makeup ladies and the wardrobe people, because they often have to plan out the clothes: the things that are gonna get bloody, and the different kinds of gunshot wounds they're gonna have to do. They often have more of a preparation, more time, than we do. You can definitely feel on set the actors trying to get that information, and they're of sworn to secrecy.