I do like a variety of things so I'm always interested in finding something that I haven't done before, if possible, to whatever degree that sometimes changes, and how much is something now that I wouldn't have a year ago but sort of based on what I've done recently as well.

I had to put the word out to people that I didn't cost a fortune, and I was prepared to work at home. Because that's the assumption: "Well, he lives in America now, we can't afford him, we won't bother."

I am geared towards communicating on a female level.

Working on a studio picture, I can't help but be aware of all the political stuff that's going on. I have to work to be able to survive, in a sense.

I have a real love of sound and the shape of the sound. I'm a musician, and I'm fascinated with the effects of sound, and tone, and pitch and melody and all that sort of stuff.

The thing I've come to learn is that what's great about small independent films is the intimacy and the communication that occurs when you're making them.

It's really interesting making films and actually seeing the life that they have in the subsequent years and seeing which ones stand up over time and which ones sort of fade away.