Taxation, for example, is eternally lively; it concerns nine-tenths of us more directly than either smallpox or golf, and has just as much drama in it; moreover, it has been mellowed and made gay by as many gaudy, preposterous theories

The acting that one sees upon the stage does not show how human beings comport themselves in crises, but how actors think they ought to. It is thus, like poetry and religion, a device for gladdening the heart with what is palpably not true.

The worst government is the most moral.

The Puritan, of course, is not entirely devoid of aesthetic feeling. He has a taste for good form; he responds to style; he is even capable of something approaching a purely aesthetic emotion. But he fears this aesthetic emotion as an insinuating distraction from his chief business in life: the sober consideration of the all-important problem of conduct. Art is a temptation, a seduction, a Lorelei, and the Good Man may safely have traffic with it when it is broken to moral uses--in other words, when its innocence is pumped out of it, and it is purged of gusto.

Suppose two-thirds of the members of the national House of Representatives were dumped into the Washington garbage incinerator tomorrow, what would we lose to offset our gain of their salaries and the salaries of their parasites?

The prophesying business is like writing fugues; it is fatal to every one save the man of absolute genius.

In the United States, doing good has come to be, like patriotism, a favorite device of persons with something to sell.