I have never wanted to be typecast, one of those actors who plays a variation on a one-note theme. So just as I enjoy playing a wide variety of characters, from good to bad to ugly to cute - so I have enjoyed of late working in film and television, as well as in theatres of various sizes and shapes.

Splendid architecture, the love of your life, an old friend... they can all go drifting by unseen if youre not careful.

What I particularly like about Broadway is the camaraderie and the friendship of other people in other shows. Everybody knows you're opening and cares about you. There's a real village atmosphere.

It may be my rather puritanical upbringing at odds with my inborn laziness that makes me feel guilty at the end of the day, unless I am able to point at some achievement. But this need be no more impressive than cooking a meal or going for a long walk.

When you're on stage with an audience, the director's nowhere to be seen. He's onto the next job.

I think the point to be understood is that we're all different. I've never been a fan of theories of acting. I didn't go to drama school, so I was never put through a training that was limited by someone saying, 'This is the way you should act.'

You would be surprised how many directors don't know what they want. They might not know what they want until they see it, they might know what they want but no idea how to get it out of the actor, then you've both got a problem.