When you put something out there into the world, there's all these words you don't want to hear, that you hope people don't say. I don't like anything that starts with 're' - like retro, reinvent, recreate - I hate that. It's always like living in the past - copying, emulating.

I didn't really even think of recording under my own name for a long time. I thought, 'I've got the rest of my life to do that.'

Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.

I have very little interest in the bottom line or signing artists to help make the label profit. That's a lucky, unique position to be in, but it all comes out in the wash.

Every album I've done pretty much has been not in a pleasant, quote-unquote, environment - it's freezing cold, or it was somebody's house with not-that-great equipment. It's always something that spurs on to get the job done.

I love him (Muse) too much, and you can't hurt someone that you love that much . . . unless you're family.

We've had experience of involvement in a local scene, and it was a good one, and we've learned a lot from it, and I don't have any need to join into that ever again. It's too counterproductive to writing music and performing to the best of your abilities. It's okay when you're 20 years old - you're getting out there and you're learning - but not when you're 30 years old.