Once you can understand something in a way that you can shove it into a computer, you have cracked its code, transcended any particularity it might have at a given time. It was as if we had become the gods of vision and had effectively created all possible images, for they would merely be reshufflings of the bits in the computers we had before us, completely under our command.

Eliminating wickedness is a different project from eliminating violence. Eliminating violence - the destruction associated with wickedness - is a practical program that I'm very willing to pursue.

Writing and thinking is not economically sustainable.

The upheavals [of artificial intelligence] can escalate quickly and become scarier and even cataclysmic,” the New York Times tech columnist once wrote. “Imagine how a medical robot, originally programmed to rid cancer, could conclude that the best way to obliterate cancer is to exterminate humans who are genetically prone to the disease.

If there's any object in human experience that's a precedent for what a computer should be like, it's a musical instrument: a device where you can explore a huge range of possibilities through an interface that connects your mind and your body, allowing you to be emotionally authentic and expressive.

Musicians and journalists are the canaries in the coalmine, but, eventually, as computers get more and more powerful, it will kill off all middle-class professions.

What is extraordinary is that in the United States the current culture desires feelings of machismo and power, but at the same time has absolutely no taste whatsoever for even the slightest loss or bloodshed or ickiness. That's a fascinating combination.