There was a saying around MGM: "Norma Shearer got the productions, Greta Garbo supplied the art, and Joan Crawford made the money to pay for both".

I think that the most important thing a woman can have - next to talent, of course - is her hairdresser.

They were grooming Doris Day to take over the top spot. Jack L. Warner asked me to play her sister in one picture. I said, "Come on, Jack. No one could ever believe that I would have Doris Day for a sister."

Then there's that 'You're only as old as you feel' business, which is true to a point, but you can't be Shirley Temple on the Good Ship Lollipop forever. Sooner or later, dammit, you're old.

Recently I heard a 'wise guy' story that I had a party at my home for twenty-five men. It's an interesting story, but I don't know twenty-five men I'd want to invite ta a party.

all that time hanging around the sets, watching Norma Shearer make the most of her three expressions, was a help.

I had read the criticisms of me and my movies and they were discerning. They said that Crawford needs a new deal, and they asked if I was doomed to explore forever the emotional misfortunes of the super-sexed modern young woman. And so, to break away from the pattern, I wanted to do "The Gorgeous Hussy". Selznick laughed at me. 'You can't do a costume picture. You're too modern.' But I begged and begged and begged, and so they let me do it. I was totally miscast.