When I was a child and I was upset about something, my mother was not capable of containing that emotion, of letting me be upset but reassuring me, of just being with me in a calming way. She always got in a flap, so I not only had my own baby panics, fears and terrors to deal with, but I had to cope with hers, too. Eventually I taught myself to remain calm when I was panicked, in order not to upset her. In a way, she had managed to put me in charge of her. At 18 months old, I was doing the parenting.

We all operate in two contrasting modes, which might be called open and closed. The open mode is more relaxed, more receptive, more exploratory, more democratic, more playful and more humorous. The closed mode is the tighter, more rigid, more hierarchical, more tunnel-visioned. Most people, unfortunately spend most of their time in the closed mode.

The writing is the most important bit, and performing it is just closing the circle because I'm less likely to screw it up than anyone else.

The sad thing about true stupidity is that you can do absolutely nothing about it.

To be creative you must create a space for yourself where you can be undisturbed... separate from everyday concerns.

When you've only got few days of rehearsal before you're in the studio, it's wonderful to start off with people that you have good, friendly, tolerable relationships to start with, for the simple reason that you don't have to spend 24 hours figuring out how sensitive they are, and can you give them a line reading, or how do you have to give them direction.

Political correctness is a bit like a granny, a maiden aunt arriving at a party when everyone's having a good time. And she comes in, they all start sort of buttoning up and becoming self-conscious and behaving properly and then when she leaves, you can have fun again.