Being in a band, a lot of times people think of what you're doing in terms of a competition. They talk about where you are professionally in your career, and all this other stuff. And if you're a lifer, you know it's going to be ups and downs. It's not like anybody is always just steady on.

I think that the most effective social protest that any artist can do would be things that come naturally and feel obvious. I think the Resist movement will continue among people who believe in science, who believe in rights for women, who believe in civil rights.

I don't lose a lot of sleep worrying about aliens, but I think it seems possible that there's life forms beyond our solar system.

I feel like the future is unwritten. So many of the things that we write now haven't been about educating people on the environment, they've been about disseminating facts. But I feel like it could be productive to write something that explored directly the idea of fragility.

Bill O'Reilly knew he could just filibuster and enjoy all the airtime that a full interview would give him, and then also grab the sensationalist headlines that he enjoys creating. He used this as fodder for his show for weeks. I wouldn't want to be on the bad side of Bill O'Reilly. But then again, maybe I am now. By giving this interview.

You have to define how much of a cultural politician you are as a performer. There are times where I just want to remain a civilian.

We're affable guys in They Might Be Giants. We're not gonna do the periscope-down thing, but it's a little bit mind-bending. The biggest struggle is trying to figure out a way to back up far enough in your answer that it can be read without the context of the question. Every declarative statement you see that comes out of an interview with somebody is actually in response to a question. So it's sort of like this very real interpersonal dance where one of the people involved is invisible.