I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.

On Friday night, it was fun [to know] that if you bombed, or whatever was going on, that you'd be on TV at 11. It was a cool feeling, and you'd get a couple hundred dollars.

That was an interesting thing I learned I think the first time I did a late night show or something. It was like, "Oh, this is for the camera and a performance that you're giving to the people at home."

I remember writing standup jokes without having done sets. But as soon as I did my first set, it didn't matter. Everything I thought would work didn't work. And everything I was iffy on was funny.

It's important to remember that life is a joke and that outlook grants a lot of perspective, but I don't think comedy should change and become political due to other things. It should just laugh at that cosmic joke that life is all the time.

I don't know if there's a strategy really so much as, like I learned doing standup and had to learn fast, you always just try to give your favorite, strongest stuff as early as possible and you start with what you like the most.

I have a lot of stories about being a kid because it was the last time I was interesting.