Occasionally you get that one person that says "I really like that one part of this joke" and you go, "Oh thank you that's my favorite part too." But no, in order for it to be authentic hopefully you have jokes that everyone can just get on board with and then you have a few things for yourself.

The best-case scenario is everything goes perfect and smooth, but we're also a new and weird show. So all my conversations were, "Hey last night didn't go perfect but we kind of know what we've got in store for everybody episode-wise."

If I was at the Comedy Cellar at midnight you yelled at the back of the room. But you, for television, play it to the camera because yes you're communicating to the people at home using the studio audience that's right in front of you as a guide for that.

I had a lot of fun writing things that died during dress rehearsal. Sometimes I remember the crazy ones that died even more fondly than the ones that did really well.

Excuse me: I am homeless. I am gay. I have AIDS. I'm new in town.

On Friday night, it was fun [to know] that if you bombed, or whatever was going on, that you'd be on TV at 11. It was a cool feeling, and you'd get a couple hundred dollars.

I never turn on the crowd. Sometimes, you think it's a terrible show, and then afterward, sometimes people say they really liked it. So turning on the crowd is only going to alienate the few people who might like it.