I was just trying to blend the standup that I do almost with like the visual sketch stuff that I did on "Saturday Night Live." And so in terms of how elastic in the world is, we'll see what we can get away with [in John Mulaney show].

You can't always see both sides of the story. Eventually, you have to pick a side and stick with it. No more equivocating. You have to commit.

A lot of comedy clubs are set up with people sitting at little tables and you have everything from the way they are seated to them ordering or taking a sip of a drink, these can make a comedian go harder and faster in a club.

It was funny to be an emcee, because you're so at the mercy of the club. You can show up for the weekend hoping to get the $400 - and get fired. I had to prank whoever they told me to prank.

I like when things are crazy. Something good comes out of exhaustion.

The more you do stuff, the better you get at dealing with how you still fail at it a lot of the time.

I was new to acting on a stage in a narrative as opposed to acting on a stage as a stand-up. And like everything else it's just like comfort level. The first time I did stand-up I was at a place called the B3 in New York on Third and Avenue B and I not only didn't take the mic out of the stand, but I clutched the stand of the entire time.