Julianne Moore Quotes

For me, the most important thing is that I feel comfortable with the actor that I'm working with and I'm able to talk to them.

I was the kid who read a lot and who was academic, and who was more of an indoor person than an outdoor person. I would win the summer reading contest at the library.

When the computer and tablets are all about playing games, thats not interesting to me.

I would be lying, if I said that sometimes it is just a job that you show up for because you're getting paid, and that's important, too. But, if you can be in a state of mind where you enjoy your job, whether it's just a job, or it's actually cathartic for you, or it's something personal. I think it would be much easier to be content with doing a good job.

Air pollution is terrible for our children. Every single scientist, every single doctor will tell you the same thing: Air pollution damages our children’s brains, their hearts, and their lungs.

People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.

One of the things that I love about L'Oréal is that it's accessible and aspirational. Beauty doesn't have to be a mystery, and it can be available to everybody. But it's also about accessing what is most innately human, what we think is attractive.

Sarah Palin's real quality is that she is her own best creation.

Apart from anything else, I got to work with Jennifer Lawrence. She’s a lovely girl. I know people often say things like that in interviews, but she really is. While she may be young, she doesn’t feel at all precocious. Instead, she’s smart and funny and terrific at connecting with people. She just blew me away.

If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy.

When you become a parent, you finally appreciate and understand what your mother did.

The audience doesn't come to see you, they come to see themselves.

I hope this brings someone else the courage they need to face whatever challenge is before them.

First of all, as a professional, you can run around saying "artists, schmartists" as much as you want. But I'm a professional, so if somebody hires me for something, I'm going to bring my best to it. They've hired me, I'm professional, I show up on time, I do my job. That's what we're doing. So in that sense, it's always both things.

Older, you know, is obviously relative. You're older if there's somebody younger than you in the room, and you're younger if there's someone older in the room.

I love my kids with all my heart and the last thing I want to worry about is the air they breathe.

I like the excitement you get at touching another human being when you're acting with them and then having a little spark and not knowing what is going to happen in between you.

I think that one of the things that you do learn is that falling in love and being in love with someone is a rarity. That you don't fall in love as many times as you think you're going to. And then when you do, it's really special; it's really important.

What gives you pleasure and joy? Let those be the things that lead you forward in life.

With actors, all our ages are out there for all to see - you can't hide anything, really. And it's kind of a relief. This is my age, this is what I look like without makeup on - who cares? That youth culture - that lying about your age - it's all denial of death anyway.

You never have sex the way people do in the movies. You don't do it on the floor, you don't do it standing up, you don't always have all your clothes off, you don't happen to have on all the sexy lingerie. You know, if anybody ever ripped my clothes, I'd kill them.

Either you like a person or you don't like a person. I don't have to love somebody to work with them. I'm a professional person. But when you get the bonus of really liking someone and really connecting with them and really enjoying them, it's a fantastic thing.

At the Golden Globes, they put all the bigger stars in the front; the movie stars in the front, TV actors in the back. But even as a movie star, you can be outseated by a bigger star in any given year. It's kind of hilarious. You have to take it in stride.

Ever since there's been a Hollywood, they remake a movie every 20 years.

People talk about generating my own work, but I don't really know how to go about that. There are certainly some roles in the theater I'd like to play but I don't know if I'll ever get to do it.

Comedy is ridiculously hard. And if the rhythm is not right, if the music or the line is not right, it's not funny.

You're in a movie, so you have to think about how something plays. It's not like you're thinking about how an audience is going to react. You're trying to present the story. You're trying to illuminate the lives of these people in the story. So I'm thinking about how my behavior as this character best illuminates what's going on with them in this moment in time. I always say it's sort of the director's job. People think that the directors direct actors. No. Really, what the director's doing is directing the audience's eye through the film.

We [with husband] try and spend time alone, which is really hard to do. Of course, when you have kids they're like: "Why are you going out? You went out last night... you can't go out tonight!" so, you try to do that, and you try and ask somebody to please turn off the football game because you can't stand it any longer and you'd rather talk to them.You try to make time for each other where you can. You try to plan a trip away somewhere.

Men aren't asked about age. Men aren't asked about their children. Not that these things aren't important, but I do feel like it becomes reductive when a woman's life becomes, 'Talk to me about your kids and how you feel about plastic surgery.'

Right before I met my husband, I always felt as if the party was happening somewhere else. And once I met him and we had our children, I was like, 'This is where the party is.'

My schedule, it always looks like it's really steady, but believe it or not, I tend to work a bunch and then take a year off.

I love it, to have the same crew. I'm not married. I don't have children. My 17-year-old dog died. I'm kind of on my own. So I really like having the same camera guy for four years. I love looking around and seeing the hair and makeup people who have been there from the beginning.

Movie studios aren't making too many dramas anymore; they're in the superhero business. Material for television is much, much stronger for actors now.

I think all of us struggle with how to keep relationship alive. And yet it can't be static either. It's never going to be how it was when you first met because you're not in that place anymore; you're not necessarily the same people. So, that's the struggle - you're trying to make the relationship move forward with the rest of your life and make it special and meaningful. And I think it's incredibly challenging.

A mid life crisis is nothing but getting to the point where you go, have I done what I wanted to do? Am I living the life that I want to live? Am I appreciating what I have? If you don't get to that point developmentally, you're not doing it correctly. The people who get to that age and haven't reassessed usually haven't faced the fact that that's where they are.

I wouldn't be an actor if it weren't for the English teacher I had my junior year in high school. She's the one who told me I could be an actor. I had never met an actor, I had never seen a real play, only high school plays. I didn't know actors were real, that it was a real job.

I like that sense of family in my workplace, having the same pair of eyes to look into.

I'm older than I was before when I was young.