When studio art started being seen as important, I joined Colab, and then I became very involved.

I had stopped making figures, and then I began making images of animals in nature, which was a way to introduce the figure.

In drawing, I often think of things as flying buttresses.

I always say I'm Catholic - but a cultural Catholic. I wouldn't say I'm a spiritual person, although I pray every day.

The point isn't to know what you're doing. The point is to have an experience doing something.

One hopes that each piece contains enough space for several narratives.

It is very different when you age. The things that are significant, or what drives you, or the physical experience of being driven, changes over time.