I have to make about a million proofs of everything. I don’t know, it’s just a repetition, like a meditation. You come back to something and then you leave it, and then you come back again and you leave it, and each time it changes. And sometimes you have to wait for new information inside yourself to be able to finish something, to find out how it should go.

One's self is always shifting in relationship to beauty and you always have to be able to incorporate yourself or your new self into life. Like your skin starts hanging off your arms and stuff, and then you have to think, well that's really beautiful too. It just isn't beautiful in a way that I knew it was beautiful before.

Source of inspiration. The MAK is a museum that has had a profound effect on me as an artist and art viewer.

Now, it is much more difficult for young people coming to New York. But also when you're young, you have more time to interact with one another, to discover yourself with people of your generation.

I had stopped making figures, and then I began making images of animals in nature, which was a way to introduce the figure.

One hopes that each piece contains enough space for several narratives.

When you get older, you're running out of time. You care more about trying to stay on the planet a little longer, so you can learn how to draw better!