I can't imagine having a real personal thing, like divorce and marriage, all those things, being in the public eye. I try to not talk about anything personal, and then nobody has the fire to throw back at you, like 'You said this back then!'

I try not to do scenes a certain way, because then I become conscious of it, and it dosen't come off as realistic. I try to make it so that I'm not really aware of what I'm doing.

The best scripts I read are usually pretty - they move really quickly, there's not a lot of exposition in between all of what's happening, so you can really just flow with the lines, and you're reading and it has a momentum and you understand it emotionally.

When I'm an old lady, I'm going to have my pick of the young men. They'll be like, 'She's Miss Mary Jane!' The young boys will think I'm a hot old lady.

A lot of moms give their kids line reads. My mom wasn't put in that position because I always had an acting teacher helping with the feelings rather than how to say something.

You really can't explain how you do the things you do. I can't, anyway. I love certain actors, but sometimes they say the stupidest things about technique. I don't want to say something stupid.

I attract a different kind of boy when my hair's red. I get more quality men - like a more thoughtful, nerdy dude.