One time I was at a swimming pool with my kids, a public pool. I had my daughter, my six year old, on my arm like this. She was like clamped on, and she's kicking. ... And then she got off and another random child just clamped on. It's like a rat. "Get off of me." "But I love you." "I don't know you, kid."

In 27 years doing this, I've seen a handful of truly great, masterful standup sets. One was Tig Notaro last night at Largo.

I know what it's like to have a bunch of material that's working that you don't care about. You want to die.

You could drive a rental car until you don't want it. Just get out of it while it's moving and just walk away. No, I don't feel like being in that car any longer. Just call Hertz. Hi, your car is drifting into the intersection of 28th and Broadway, if you're interested. It's now your problem.

I have a crazy amount of different jobs, so the way I manage that is to not do more than one at a time. It's like old computers that had small memory chips, they would do something called swapping, where they would fill the memory with one task, do it and get it out.

To me, there's a huge difference between criticism and reviewing. I really love reading good criticism of television and film. To me, a critic is someone who analyzes a show, describes it, talks about the people in it, puts it in historical context of other shows like it, compares it and stuff, and then talks about the intent of the show and whether it failed or didn't.

I've learned from experience that if you work harder at it, and apply more energy and time to it, and more consistency, you get a better result. It comes from the work.