I used to do a lot of drugs. I didn't stop because I didn't enjoy them; I stopped because I couldn't handle the commitment.

I know that the podcast is typically something I can do forever, because it's mine; it's just me and my producer and business partner, so it's our business.

I'm just very sort of compulsive and lack the ability to keep things in perspective. If I'm not writing or playing guitar or on the microphone or out on the road, I'm cleaning pots and pans or freaking out about some plumbing issue or tweeting.

Your insecurity and neediness is what makes you a big neurotic ball of comedy genius.

I'm just saying, 'Hey, throw me a bone. How about a smile, cute t-shirt? Look at me.' Nothing - unless it's a turn to their friends to go, 'Hey, why is that weird guy looking at us?'

Jerusalem Syndrome is actually a rare psychological condition that occurs to some visitors to the Middle East. They get to Israel and just snap.

Most of my comedy writing happens through improvisation on stage; doing it in the moment. Going up with an idea and fleshing it out over time on stage and in front of people until it becomes a full bit.