I think most other comics are like, 'I'm going to do my fkin' act and that'll be that.' With me, it's like, 'What if I forget my jokes? What if I can't pull it together? This is going to be a fking disaster!'

When I was a young comic in New York and I wasn't getting any work, I was wandering around the Lower East Side with my notebook. I would stop at the guitar place on St. Mark's and talk to that dude for a while, then I'd go to the bookstore and talk to that dude for a little while. I had a guy over at the record store, and I'd talk to him for a while. It kept me connected to life.

Show business is one of the few businesses that the devil will actually agree to own just a portion of your soul because he knows if you have a performer's ego you were probably working for him all along.

I find that if I don't do interviews, I get a little squirrely. I think that when you engage with someone else, or when you engage in something you're passionate about, you're sort of out of your own head.

I think things evolve into jokes. I don't generally write them down as jokes. I talk them out.

I didn't know that people compared Bill Hicks and I but certainly I'm flattered if they do. I knew Bill a bit. We had dinner a couple of times and played guitar together once. I really tried to keep my distance from him professionally.

Jerusalem Syndrome is actually a rare psychological condition that occurs to some visitors to the Middle East. They get to Israel and just snap.