I think most other comics are like, 'I'm going to do my fkin' act and that'll be that.' With me, it's like, 'What if I forget my jokes? What if I can't pull it together? This is going to be a fking disaster!'

Surveillance induced morality: relics of cultural retardation.

We need the children of Indonesia and the Philippines to manufacture our freedom of choice.

Once I learned how to talk, personally, by myself to any number of people, which means do radio without talking to anyone in particular on the air - I just found that my brain became very free to engage in a sort of stream-of-consciousness style of doing what I do.

I'm not a moron, but science fiction to me requires a suspension of disbelief and honest curiosity or fascination in that kind of bullshit. I've just never been able to make that jump, really. I like things to be more organic.

If you let someone talk for an hour, you're gonna have a pretty good idea of who they are, and I think that's more rewarding than me sitting there going, "That's complete bullshit about health care."

My monologues aren't always funny. They're generally thoughtful. Sometimes at different levels of aggravation. And sometimes no aggravation. But the pressure on me is not to be joke-efficient when I'm talking on this mic. And that sets the tone.