My cats, the ones that I have, were feral when I found them so the relationship that I have with them 10 years in is very mutual, earned, and evolved over time. It was never an easy thing. I like that they have a certain distance and have their own sense of selves.

Most of my comedy writing happens through improvisation on stage; doing it in the moment. Going up with an idea and fleshing it out over time on stage and in front of people until it becomes a full bit.

Is there any indication we shouldn't be depressed - are you living on the same planet that I am? Do you ever think that depression might be the reasonable human response to the crap we're going through as a species, meant to propel us into the next evolutionary step, or at least into taking some different course of action so we might survive? Do you ever think that maybe it's the happy people that are really screwed up in the head?

I'm not completely sure we aren't all living in a hallucination now.

When I was a young kid I loved Don Rickles, Buddy Hackett and Jackie Vernon.

My monologues aren't always funny. They're generally thoughtful. Sometimes at different levels of aggravation. And sometimes no aggravation. But the pressure on me is not to be joke-efficient when I'm talking on this mic. And that sets the tone.

There's this whole post-modern, nuevo beatnik, retro-bohemian thing going on, you know what I mean? You walk into some coffee shops, and it feels like you're an ex-patriot in Paris in the 20s. You're like, 'Hey, isn't that a young Ernest Hemingway over there? Yeah, I think it is! Hey, let's go have a look and see what he's writing... It's a Gap application.'