I've been deadline-driven for my whole grown-up life, and that hasn't gone away. It is nice to be able to reflect about the big picture, about what kind of stories you want to tell, and how to take advantage of success.

With "Futurama," I wanted to do unrequited love, and David Cohen agreed, and although our original plan was never to have Fry and Leela get together, we finally just said, "You can only string the fans along so far."

I'm presently incarcerated. Convicted of a crime I didn't even commit. Hah! "Attempted murder"? Now honestly, what is that? Do they give a Nobel prize for attempted chemistry? Do they?

I think people who work in comedy and humor are hesitant to analyze it too much, because you feel like if you take it apart, you'll break it and not be able to put it back together again.

'The Simpsons' was about children and married parents; 'Futurama' is about people in between; they're growing up and haven't settled down. Every other cartoon show seemed to be, you know, dumb dad, bratty kids.

I may be biting off more than I can chew, but with 'The Simpsons' and with 'Futurama,' what I'm trying to do in the guise of light entertainment, if this is possible - is nudge people, jostle them a little, wake them up to some of the ways in which we're being manipulated and exploited.

I would prefer to listen to a French classical composer like Olivier Messiaen than to the pop hits of the day.