I think that dancing has helped or prepared me, in a number of different ways, for the film industry, especially with controlling your nerves when you walk into an audition because you're on stage from a young age.

Everybody is completely different. I think there is no formula for filmmaking. Everybody finds their own way of doing things.

With dance, you learn to channel nerves into energy, excited energy. It's sort of similar when you walk into an audition room, to be able to go takes deep breath and then go in real calm. It was in those ways that it really helped me.

One of the producers, Wonjo, was an amazing interpreter. I don't think we really knew how it was going to work at the beginning. Yet it was something that a couple of days into it seemed so seamless and it wasn't something that we noticed or thought about. A couple of times I cornered him and forced him to speak English but we didn't speak much English at all. That said, I don't think anything was ever lost in translation. It was all very easy.

Ballet has really helped me in every acting role. You have to be very disciplined, you have to be able to control your nerves and perform under pressure, and all those things you have to use in acting when you're on film or going for an audition.

Dance has such an intensity to it. You become, in a way, an intense person.

When you dance intensely, you are really aware of your physicality, and that's always great to have as a tool, when you're an actress.