The one thing you're most reluctant to tell. That's where the comedy is.

It had that kind of open-ended fear to it - like that feeling you get when you're driving and you see a cop. And you're not speeding. You don't have drugs. But you're just thinking, I hope he doesn't notice I'm driving.

They really cut to the chase in the urologist's examination room, and I tried to laugh. If this office were a movie, it would have been rated R.

I think the reason why I'm so alluring to networks is because on the surface I'm like a quintessential relatable, boring white guy. A great many sitcoms have been anchored by a boring white guy, so I feel like what they want to mine from me are my more generic qualities.

The key to eating healthy is not eating any food that has a TV commercial.

My writing process is very feedback based - I listen to the audience. I try to understand what's connecting, what's not connecting... and then rewrite, and rewrite, and rewrite. Chris Gethard and I have been on the road a lot together. When we get on the bus at night, we talk about the jokes that didn't work and the joke possibilities that could work. I think this is a little different from other writers.

Gillian [Jacobs] is brilliant, and it was Lena Dunham that recommended her. I didn't see her in the part, but Lena told me that Gillian can do anything. It turned out to be true.