I wrote on my desk wall when I was writing the film...'Art is socialism, but life is capitalism.' That's the hard thing in all of it if you expect to make a living.

When I made 'Sleepwalk with Me,' many people asked me if was a novelty thing, a one-off. But this is the goal, I'm just hitting it 12 years after I thought I would.

Life is unfair and improv is a great metaphor of that.

I thought if I could do stand-up comedy well enough, I could parlay it back into films - like Charlie Chaplin and Woody Allen did. They merged principles of comedy and drama together, and that's what my first film really was, a stab at that kind of comedy.

I think if anything, the fact that it's popular right now makes me go: "Well, I guess I'm going to start doing something else then in the next few years." I dunno, it almost feels hackneyed at this point. To start a premise by saying, "I did this awkward thing." But then again, awkwardness and feeling alienated are always going to be a part of comedy. Alienation, I suppose, can't be hackneyed because it will always exist.

Essentially, retweets are like laughs.

When you're in a relationship with someone who's selfish, what keeps you in it is the fact that when they shine on you, it's this souped-up shine. And you feel like you're in the club. And you don't even know what club it is. You just know you want to stay in it.