I was a screenwriting major in college, and really wanted to do that after I graduated, but there are no job listings for that, as we all know. I had many classmates that made it in the business, but stand-up comedy was my way in, and my first film 'Sleepwalk with Me' was based on those autobiographical experiences.

I didn't realize how good I was with technology until I met my parents... my dad told me "You're good; you should be a computer programmer." I said, "You're bad... you should be a caveman."

To succeed in comedy you ultimately have to put in the hours and get lucky - The amount of people who are able to break through is so small a fraction of the amount of people trying.

My friends drink everywhere. They even drink at the laundromat. I tried drinking at the laundromat, and I thought I was in a submarine, navigating the Sea of White Panties with my Spanish-speaking crew. I was like, "Mrs. Sanchez, set the coordinates to Permanent Press! Give me some quarters and another drink! This place is starting to look like a laundromat."

You've got to remember that improvisers are writers and actors and directors all simultaneously. That's what's happening in real time because you're writing on your feet, and you are acting out the words and you are directing what the staging is. You're deciding what staging is.

I always try to attack the most honest issues I can in my comedy.

Where art and business intersect is a challenging hurdle for a lot of people, reconciling the fact that not everyone is going to make it in the same way. Yeah, you have to be a little selfish, probably.